👉👉 Visit Movies Store https://ift.tt/2Ld1uFE
Really named Claudine Huzé, Marie Dubois started her career at the École de la rue Blanche (ENSATT) and continued her training by taking Henri Rollan’s lessons at the Conservatoire. Learning both classical theater and modern comedy, the actress made her debut on the boards in the plays Hyménée, Le Misanthrope, Les Sorcières de Salem or Boeing-Boeing. She was noticed by François Truffaut during his appearances in the television series The Camera explores time and The Last Five Minutes. The director then hired him for his second feature film Tirez sur le pianiste, a sort of homage to the noir films of the 1940s. François Truffaut also offered the actress her pseudonym, Marie Dubois, in reference to the heroine of the eponymous novel by Jacques Audiberti (1952). It was during the shooting of this first feature that the first symptoms of multiple sclerosis appeared.
The actress discovers her illness but decides to devote herself to her career. She thus turned, in 1961, under the direction of Jean-Luc Godard in Une Femme est une femme, the director’s first color film, where she gives, for the first time, a reply to Jean-Paul Belmondo, with whom she will shoot 4 times. Marie Dubois then goes on to her second film under the direction of François Truffaut, Jules and Jim. Continuing with the young directors of the Nouvelle Vague, the actress enters Roger Vadim’s La Ronde without forgetting the theater and the television films.
In 1961, Marie Dubois married the actor and agent (co-founder of the agency Artmedia, the largest agency of actors in France) Serge Rousseau. The actress continues with more popular films such as Le Monocle noir by Georges Lautner, Week-end à Zuydcoote by Henri Verneuil (for which she finds Belmondo) and La Chasse à l’Homme by Edouard Molinaro. Rewarded in 1963 with the Suzanne Bianchetti Prize, the following year she embodied the daughter of Jean Gabin in L’Age ingrat by Gilles Grangier and was the only female figure in Robert Enrico’s Grand Gueules in which she faced Lino Ventura and Bourvil . Her incredible freshness and playfulness make her an essential actress of the 1960s.
Brilliantly alternating popular films and feature films from the Nouvelle Vague, she appeared in 1965 on the screen of Fêtes galantes by René Clair, in the TV film by Marie Curie – A Certain Young Girl and the Thief by Louis Malle with Jean-Paul Belmondo. Adapted from the novel by Georges Darien, an anarchic author whose works are greatly marked by a feeling of revolt against the established order, this film is a real reflection on money and the power it confers. Made popular thanks to Oury’s film, she continued with La Maison des Bories by Jacques Doniol-Valcroze in which she cheated on her husband (Maurice Garrel) with the young Mathieu Carrière, then received the prize for interpretation from the National Academy of cinema for her role in Michel Soutter’s Les Arpenteurs, which she found again two years later for L’Escapade. In 1969 she was part of the international cast of Gonflés à bloc alongside Tony Curtis. The actress then takes part in the filming of Claude Sautet’s film, Vincent, François, Paul and the others, she plays Lucie, Michel Piccoli’s wife, and shares the poster with Yves Montand, Serge Reggiani, Gérard Depardieu and Stéphane Audran. In 1976, Luchino Visconti made her the princess of his feature film L’Innocent. The following year, Alain Corneau offered him the role of the jealous and depressed woman of Yves Montand in La Menace. A role for which the actress won the César for Best Supporting Actress. But more than twenty years after the first symptoms, her illness catches up with her, Marie Dubois is forced to slow down her activities. The actress then appears only in supporting roles: The friend of Vincent de Pierre Granier-Deferre, Mon Oncle d’Amérique (Alain Resnais), Boy! of Claude Sautet for which she finds Yves Montand, in which she lodges at home the young Richard Anconina and participates in the Grand Guignol of Jean Marboeuf. In 1986, she was named to the César for Best Actress in a supporting role for Descente aux enfers by Francis Girod. She turned under the direction of Claude Chabrol for Rien ne va plus in 1997 and, four years later, engaged in the fight against multiple sclerosis in a prevention campaign carried out by Alain Corneau.
Marie Dubois died on October 15, 2014, at the age of 77
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
🏃 Follow Us: https://twitter.com/teammovies
👍 Like Us: https://ift.tt/2uqqvlP
📺 Watch More: https://www.youtube.com/c/CelebritiesNews
🎥 Pin Us: https://ift.tt/2tsCv91
🌐 Visit Us: https://ift.tt/2uqm6PI
📷 Instagram: @teammovieshd
Don’t forget guys,if you like this video please “like”,”Favorite” and “Share” it with your friends to show your support – it really helps us out! If there’s something you’d like to see tweet us about it! Enjoy 🙂
